| Comp.
89 for creative orchestra (1979) Twenty seven pages of multiple notation. Instrumentation: 5 rds (any instr), 4 tpt, 4 trom, b. trom, TB, piano, synth, S.B., 2 per (both on trap set). |
|
| Comp.
90 for any number of instruments (1979) Eleven pages of Graft notation with additional instructions to be used in any order and for any duration. |
--Jump
or Die [Splatter Trio/Debris] --Concept of Freedom |
| Comp.
91 for creative orchestra (1979) Twenty-six pages of notated music with improvisation, for the creative orchestra. Instrumentation: 4 ww (any inst), 3 tpt, 4 trom (1 b. trom), TB, piano, synth, SB, 2 per. |
--Eugene (1989) |
| Comp.
92
for creative orchestra (1979) Twenty-six pages of notated music with improvisation, for the creative orchestra. Instrumentation: 3 reeds (alto, tenor, bass), 3 tpt, 3 trom, b. trom, TB, guitar, piano, SB, Per (set). |
--First Program in Standard Time [NYCO] |
| Comp.
93
Twenty-five pages of regulated notation for the creative orchestra. Instrumentation: 4 ww (multi-instrumentalists if possible), 2 also, tenor, bass, 3 tpt, 1 b. trom, TB, synth, piano, SB, Per (set). |
--Eugene (1989) |
| Comp.
94
for three instrumentalists (1980) Thiry-four pages of multiple and symbolic notation in three sections, for any three single-lined instruments that can be performed in any order and duration. This composition is designed for the use of language improvisation, rather than as a thematic structure. |
--Composition No. 94 for Three Instrumentalists (1980) |
| Comp.
95 for two pianists (1980) Forty-six pages of notated music for two pianists, each of whom also plays a melodica and a zither. To be performed with costumes (with special instructions for choreography if desired) for the purpose of "preparation" for coming change (either vibrational or actual). |
--For Two Pianos |
| Comp.
96
dedicated to Karlheinz Stockhausen for orchestra and four slide projectors (1980) 240 pages of notated music for orchestra, four slide projectors, and slides to be performed in a ceremonial concert context for positive transformation and historical re-solidification. Instrumentation: 3 flts+2+1 E. hn +3, 1 alto sax +1, 1+2+2 harp, 8+8+6+6+4, Per (tymp, vibes, marimba, cym, etc). |
--Composition
96 --Quartet (London) 1985 --Quartet (Birmingham) 1985 --Quartet (Coventry) 1985 --Music From Mills --Five Compositions (Quartet) 1986 --(If My Memory Serves Me Right) --Duets 1987 [w/ Gino Robair] --The Aggregate [w/ ROVA] --Zurich Concerts [London Jazz Composer's Orchestra] --Willisau (Quartet) 1991 --4 (Ensemble) Compositions - 1992 --Small Ensemble Music (Wesleyan) 1994 --Nine Compositions (DVD) 2003 --Four Compositions (Ulrichsburg) 2005 |