Comp. 89

for creative orchestra (1979)

Twenty seven pages of multiple notation. Instrumentation: 5 rds (any instr), 4 tpt, 4 trom, b. trom, TB, piano, synth, S.B., 2 per (both on trap set).

 
Comp. 90

for any number of instruments (1979)

Eleven pages of Graft notation with additional instructions to be used in any order and for any duration.

--Jump or Die [Splatter Trio/Debris]
--Concept of Freedom
Comp. 91

for creative orchestra (1979)

Twenty-six pages of notated music with improvisation, for the creative orchestra. Instrumentation: 4 ww (any inst), 3 tpt, 4 trom (1 b. trom), TB, piano, synth, SB, 2 per.

--Eugene (1989)
Comp. 92

 

for creative orchestra (1979)

Twenty-six pages of notated music with improvisation, for the creative orchestra. Instrumentation: 3 reeds (alto, tenor, bass), 3 tpt, 3 trom, b. trom, TB, guitar, piano, SB, Per (set).

--First Program in Standard Time [NYCO]
Comp. 93


for creative orchestra (1979)

Twenty-five pages of regulated notation for the creative orchestra. Instrumentation: 4 ww (multi-instrumentalists if possible), 2 also, tenor, bass, 3 tpt, 1 b. trom, TB, synth, piano, SB, Per (set).

--Eugene (1989)
Comp. 94

 

for three instrumentalists (1980)

Thiry-four pages of multiple and symbolic notation in three sections, for any three single-lined instruments that can be performed in any order and duration. This composition is designed for the use of language improvisation, rather than as a thematic structure.

--Composition No. 94 for Three Instrumentalists (1980)
Comp. 95

for two pianists (1980)

Forty-six pages of notated music for two pianists, each of whom also plays a melodica and a zither. To be performed with costumes (with special instructions for choreography if desired) for the purpose of "preparation" for coming change (either vibrational or actual).

--For Two Pianos
Comp. 96
dedicated to Karlheinz Stockhausen

for orchestra and four slide projectors (1980)

240 pages of notated music for orchestra, four slide projectors, and slides to be performed in a ceremonial concert context for positive transformation and historical re-solidification. Instrumentation: 3 flts+2+1 E. hn +3, 1 alto sax +1, 1+2+2 harp, 8+8+6+6+4, Per (tymp, vibes, marimba, cym, etc).

--Composition 96
--Quartet (London) 1985
--Quartet (Birmingham) 1985
--Quartet (Coventry) 1985
--Music From Mills
--Five Compositions (Quartet) 1986
--(If My Memory Serves Me Right)
--Duets 1987 [w/ Gino Robair]
--The Aggregate [w/ ROVA]
--Zurich Concerts [London Jazz Composer's Orchestra]
--Willisau (Quartet) 1991
--4 (Ensemble) Compositions - 1992
--
Small Ensemble Music (Wesleyan) 1994
--Nine Compositions (DVD) 2003 
--
Four Compositions (Ulrichsburg) 2005