| SOLO
MUSIC - BOOK THREE (1977-1980): Comp. 77 Third series of solo compositions for the creative instrumentalist (see Comp. 8). Can be performed in any combination or duration, as well as with material from Comp. 8 and Comp. 26. |
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Comp.
77 A
Fast pulse relationship language. |
--Solo
(Koln) 1978 --Alto Saxophone Improvisations 1979 |
Comp.
77 B
Fast pulse bebop-like phrasing language. |
--Solo
- Live at Moers Festival --Solo (Milano) 1979 Vol. 1 --with Robert Schumann String Quartet |
Comp.
77 C
Medium slow pulse with diatonic triplet patterns. |
--Alto Saxophone Improvisations 1979
--19 Solo Compositions, 1988 --10 [Solo Bagpipe] Compositions 2000 [Matthew Welsh] |
Comp.
77 D
Medium fast pulse language with slap tongue technique. |
--Alto Saxophone Improvisations 1979 --Solo (Milano) 1979 Vol. 2 --with Robert Schumann String Quartet --Wesleyan (12 Altosolos) 1992 --Müsik Für Saxophon Solo [Ralf Geisler] |
Comp.
77 E
Five note scale language. Medium slow pulse. |
--Alto Saxophone Improvisations 1979 --Solo (Milano) 1979 Vol. 2 --with Robert Schumann String Quartet --Solo (Pisa) 1982 |
Comp.
77 F
Ballade with subtone techniques. |
--Alto Saxophone Improvisations 1979 |
Comp.
77 G
Medium pulse language with whole tone scale and even eighth note phrasing. |
--Alto Saxophone Improvisations 1979 --Solo (Milano) 1979 Vol. 2 --19 Solo Compositions, 1988 --Solo (NYC) 2002 |
Comp.
77 H
Medium slow pulse language with trills. |
--Solo
(Koln) 1978 --Alto Saxophone Improvisations 1979 --Solo (NYC) 2002 |
Comp.
77 I
Medium pulse compositions with quarter note skips. |
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Comp.
77 J
Medium fast language with harmonic minor basis. |
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| Comp.
78
INTRODUCTION TO CELL STRUCTURE AND LANGUAGE DESIGN NUMBER TWO (1977) See Comp. 42 |
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