|
L-J-637 for chamber orchestra (1974) Eighty-three or sixty-two pages of notated music (there are two versions). Instru: 1 ft, OB, clar, bassoon, hn, tpt, trom, b. trom, TB, Per (chimes, gong, s. gong, S.D., B. Dr), strings: 4+4+3+3 |
--Zurich Concerts [London Jazz Composers Orchestra] |
|
INTRODUCTION TO CELL STRUCTURE AND LANGUAGE DESIGN for creative orchestra (1974) Composition on four large pages designed for the study and practice of language improvisation. For any instrumentation. |
|
| TWO
COMPOSITIONS FOR QUINTET (1974): Comp. 43 & 44 A pair of extended compositions for the creative quintet which can be utilized in both a strict and open procedural approach. Both works are primarily designed to establish a foundation for improvisation - from solo to collective. Each piece is scored for one wind, one brass, piano, string bass, and percussion. |
|
| Comp. 43
Medium fast pulse multi-structure |
--Small Ensemble Music (Wesleyan) 1994 |
| Comp. 44
Medium fast pulse structure for extension |
--Small
Ensemble Music (Wesleyan) 1994 --Composition No. 249 |
| Comp. 45
for creative orchestra (1975) March for creative orchestra with solo and collective improvisation. Instrumentation: 3 saxes (E flat, 2 tenor), 1 B Clar, 3 tpt, 3 trom (1 bs trom), TB, SB, Piano, Percussion (trap set). |
--Eugene
(1989) --Creative Orchestra (Köln) 1978 |
| Comp. 46 LQS-26 for ten instruments (1975) Eighty pages of regulated notation. Instrumentation: flute, oboe, E hn, Clar, b. Clar, horn, tpt, T bone, b. trom, TB. |
--Four
Compositions (Washington, D.C.) 1998 --Concept of Freedom |
| TWO
COMPOSITIONS FOR QUINTET (1975): Comp. 47 & 48 A set of two compositions for the creative quintet ensemble context to be utilized in either a strict or open procedural approach. Both works are primarily designed to establish a foundation for improvisation - from solo to collective participation. Scored for 1 wind, tpt, trombone, and rhythm section. |
|
| Comp. 47
Medium fast/fast pulse structure for extended improvisation |
|
| Comp. 48
Medium/slow structure for extended improvisation |
--12 Compositions: Live at Yoshi's (July
1993) --Jump or Die [Splatter Trio/Debris] -- Six Compositions (GTM) 2001 |
| Comp. 49
for one to twenty musicians with or without dancers (1975) Eight pages of Language notation to be prepared for performance. For any instruments, and for any duration. |
|