Comp. 41

L-J-637
C

for chamber orchestra (1974)

Eighty-three or sixty-two pages of notated music (there are two versions). Instru: 1 ft, OB, clar, bassoon, hn, tpt, trom, b. trom, TB, Per (chimes, gong, s. gong, S.D., B. Dr), strings: 4+4+3+3

--Zurich Concerts [London Jazz Composers Orchestra]

Comp. 42

INTRODUCTION TO CELL STRUCTURE AND LANGUAGE DESIGN

for creative orchestra (1974)

Composition on four large pages designed for the study and practice of language improvisation. For any instrumentation.

 
TWO COMPOSITIONS FOR QUINTET (1974): Comp. 43 & 44

A pair of extended compositions for the creative quintet which can be utilized in both a strict and open procedural approach. Both works are primarily designed to establish a foundation for improvisation - from solo to collective. Each piece is scored for one wind, one brass, piano, string bass, and percussion.

Comp. 43

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Medium fast pulse multi-structure

--Small Ensemble Music (Wesleyan) 1994
Comp. 44

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Medium fast pulse structure for extension

--Small Ensemble Music (Wesleyan) 1994
--Composition No. 249
Comp. 45

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for creative orchestra (1975)

March for creative orchestra with solo and collective improvisation. Instrumentation: 3 saxes (E flat, 2 tenor), 1 B Clar, 3 tpt, 3 trom (1 bs trom), TB, SB, Piano, Percussion (trap set).

--Eugene (1989)
--Creative Orchestra (Köln) 1978
Comp. 46

LQS-26
D

for ten instruments (1975)

Eighty pages of regulated notation. Instrumentation: flute, oboe, E hn, Clar, b. Clar, horn, tpt, T bone, b. trom, TB.

--Four Compositions (Washington, D.C.) 1998
--Concept of Freedom
TWO COMPOSITIONS FOR QUINTET (1975): Comp. 47 & 48

A set of two compositions for the creative quintet ensemble context to be utilized in either a strict or open procedural approach. Both works are primarily designed to establish a foundation for improvisation - from solo to collective participation. Scored for 1 wind, tpt, trombone, and rhythm section.

Comp. 47

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Medium fast/fast pulse structure for extended improvisation

 
Comp. 48

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Medium/slow structure for extended improvisation

--12 Compositions: Live at Yoshi's (July 1993)
--Jump or Die [Splatter Trio/Debris]
-- Six Compositions (GTM) 2001  
Comp. 49

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for one to twenty musicians with or without dancers (1975)

Eight pages of Language notation to be prepared for performance. For any instruments, and for any duration.